![]() ![]() The Force doesn't share the MPC's name, but it does incorporate a lot of its technology, repurposed into a new framework that closely resembles Ableton Live's Session view. and it turns out they already had that product in mind. ![]() In previous conversations, the Akai team have been patient with me, suggesting that what I was looking for was essentially a different product. But I've spent too long using grooveboxes and workstations based around clips, patterns and scenes. I spent a lot of time trying to get into the groove of MPC workflow I really wanted to like it because I love the self-contained hardware. But as innovative as they are, they consciously maintain the traditional working methods and project structure of the MPC, with its walled-off song sections. The current generation of MPCs, which started with the Touch then went stand-alone with the Live and MPC X, represent a big leap forward for the platform. Akai Pro have distilled the best of their technologies into a stand-alone clip- and scene-based performance and production workstation. ![]()
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